Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 28Gale Research Company, 1984 |
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Pagina 340
... ( line 1 ) and to promote health ( line 38 ) ( in both which efforts he fails , being no true King - lines 109 , 118 , 119 ) . To this banquet he specifically invites Banquo ( 3.1.15 , 29 ) . Can there be any doubt but that he will accept ...
... ( line 1 ) and to promote health ( line 38 ) ( in both which efforts he fails , being no true King - lines 109 , 118 , 119 ) . To this banquet he specifically invites Banquo ( 3.1.15 , 29 ) . Can there be any doubt but that he will accept ...
Pagina 358
... lines 511- 522 ) , there is space for study of only one more of her guises : her pervasive guise as Venus Victrix ( Venus the Conqueror ) . The ancient title Venus the Conqueror re- ferred , as is fairly well known , to Venus ...
... lines 511- 522 ) , there is space for study of only one more of her guises : her pervasive guise as Venus Victrix ( Venus the Conqueror ) . The ancient title Venus the Conqueror re- ferred , as is fairly well known , to Venus ...
Pagina 360
... lines 823-846 ) . Likewise , when he tells of her meeting with the boar ( lines 901-912 ) he describes her horrified response to the creature in Petrarchan terms ( a sequence of paradoxes suggests her self - division and pa- ralysis ; see ...
... lines 823-846 ) . Likewise , when he tells of her meeting with the boar ( lines 901-912 ) he describes her horrified response to the creature in Petrarchan terms ( a sequence of paradoxes suggests her self - division and pa- ralysis ; see ...
Cuprins
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York