Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 28Gale Research Company, 1984 |
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Pagina 130
... become such a critical commonplace that reports of its obscurity have been greatly exaggerated " ( 35 ) . Phyllis Rackin is among the few critics who do not simply pass over this speech ; in Stages of History : Shakespeare's English ...
... become such a critical commonplace that reports of its obscurity have been greatly exaggerated " ( 35 ) . Phyllis Rackin is among the few critics who do not simply pass over this speech ; in Stages of History : Shakespeare's English ...
Pagina 170
... become Irish . . . , now , on the other side , the execution of the law , doth make the Irish grow civil and become English . " " " Here , in a portrait whose program , Roy Strong has suggested ( on the basis of its strong resemblances ...
... become Irish . . . , now , on the other side , the execution of the law , doth make the Irish grow civil and become English . " " " Here , in a portrait whose program , Roy Strong has suggested ( on the basis of its strong resemblances ...
Pagina 208
... become Falstaff , stage and historical figures each become intolerable to the new Henry V and get impris- oned by him . On the whole , Shakespeare's festive char- acter , retaining just enough shreds of plausibility , em- braces a ...
... become Falstaff , stage and historical figures each become intolerable to the new Henry V and get impris- oned by him . On the whole , Shakespeare's festive char- acter , retaining just enough shreds of plausibility , em- braces a ...
Cuprins
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York