Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 28Gale Research Company, 1984 |
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Pagina 150
... Henry's tri- umph , striking an insistently sour note . When he reveals the traitors ' plot , Henry saves his most bitter invective for Scroop ( " his bedfellow , " who seemed " [ c ] onstant in spirit , not swerving with the blood ...
... Henry's tri- umph , striking an insistently sour note . When he reveals the traitors ' plot , Henry saves his most bitter invective for Scroop ( " his bedfellow , " who seemed " [ c ] onstant in spirit , not swerving with the blood ...
Pagina 151
... Henry's speech- es , the audience is deprived of either the impulse or the frame for responding critically to that language . In its place Branagh has inserted a set of flashbacks to Henry's prior friendship with the commoners , which ...
... Henry's speech- es , the audience is deprived of either the impulse or the frame for responding critically to that language . In its place Branagh has inserted a set of flashbacks to Henry's prior friendship with the commoners , which ...
Pagina 156
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
Cuprins
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York