Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 10
The Vibhava has been further defined as the focus of the cogni- tion which is preliminary to emotional reaction and which can make the three kinds of representation , through words , significant bodily behaviour and emotional display ...
The Vibhava has been further defined as the focus of the cogni- tion which is preliminary to emotional reaction and which can make the three kinds of representation , through words , significant bodily behaviour and emotional display ...
Pagina 91
... and the quality of the poem as basically the product of inspira- tion is not affected adversely in the least by the presence of such images if aesthetic sensibility has adjudged these suggestions of the poetically stirred intellect ...
... and the quality of the poem as basically the product of inspira- tion is not affected adversely in the least by the presence of such images if aesthetic sensibility has adjudged these suggestions of the poetically stirred intellect ...
Pagina 158
When the Dhvani theorists recalled the importance of feeling and this led to second thoughts about their own theory , they were really operating with two independent variables , sugges- tion ( Dhvani ) and feeling ( Rasa ) .
When the Dhvani theorists recalled the importance of feeling and this led to second thoughts about their own theory , they were really operating with two independent variables , sugges- tion ( Dhvani ) and feeling ( Rasa ) .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote
Informații bibliografice
| Titlu | Sanskrit Poetics: A Critical and Comparative Study |
| Autor | Krishna Chaitanya |
| Editor | Asia Publishing House, 1965 |
| Exemplar original de la | Universitatea din Michigan |
| Scanată la | 12 mai 2008 |
| Lungime | 466 pagini |
| Exportă citatul | BiBTeX EndNote RefMan |