Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 77
Pagina 10
... tion which is preliminary to emotional reaction and which can make the three kinds of representation , through words , significant bodily behaviour and emotional display , capable of being sensed . Thus , if love is the aesthetic ...
... tion which is preliminary to emotional reaction and which can make the three kinds of representation , through words , significant bodily behaviour and emotional display , capable of being sensed . Thus , if love is the aesthetic ...
Pagina 91
... tion in the creation of imagery proves helpful . " Fancy does not require that the materials which she makes use of should be susceptible of change in their constitution , from her touch ; and , where they admit of modifica- tion , it ...
... tion in the creation of imagery proves helpful . " Fancy does not require that the materials which she makes use of should be susceptible of change in their constitution , from her touch ; and , where they admit of modifica- tion , it ...
Pagina 158
... tion ( Dhvani ) and feeling ( Rasa ) . Theory now does not have the confi- dence to base its verdict against pictorial poetry solely on the ground that it lacks suggestion . This defect is indeed mentioned in Ananda Vardhana's ...
... tion ( Dhvani ) and feeling ( Rasa ) . Theory now does not have the confi- dence to base its verdict against pictorial poetry solely on the ground that it lacks suggestion . This defect is indeed mentioned in Ananda Vardhana's ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote