Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina viii
... taken some liberties . The orthodox scholar may want to disembowel me for writing " Ananda Vardhana " instead of " Anandavardhana " or " Anandavardhanacharya " . But the layman will find my approach con- venient and it is the layman ...
... taken some liberties . The orthodox scholar may want to disembowel me for writing " Ananda Vardhana " instead of " Anandavardhana " or " Anandavardhanacharya " . But the layman will find my approach con- venient and it is the layman ...
Pagina 82
... taken on . " Eliot , 44 though he proceeds cautiously , makes it very clear that naturalistic images are retained by memory because , even at their first impact , the impressions elicited responsive feeling reactions . " Why , for all ...
... taken on . " Eliot , 44 though he proceeds cautiously , makes it very clear that naturalistic images are retained by memory because , even at their first impact , the impressions elicited responsive feeling reactions . " Why , for all ...
Pagina 186
... taken her to Lanka . Immediately after the war for her recovery she had established her chastity through a fire ordeal but its memory cannot stop the scandal . And ultimately Rama has to abandon a queen who is not acceptable to his ...
... taken her to Lanka . Immediately after the war for her recovery she had established her chastity through a fire ordeal but its memory cannot stop the scandal . And ultimately Rama has to abandon a queen who is not acceptable to his ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote