Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina vii
... standing to Rasa in the relation of anumapaka or gamaka to anumapya or gamya . 994 Take a passage from another writer . " Abhinava remarks ... stand out prominently as more vii intimate accessories , Abhyantara Angas . " I regard the PREFACE.
... standing to Rasa in the relation of anumapaka or gamaka to anumapya or gamya . 994 Take a passage from another writer . " Abhinava remarks ... stand out prominently as more vii intimate accessories , Abhyantara Angas . " I regard the PREFACE.
Pagina 24
... standing , not for dead , neutral , material entities , but the object as invested with the power of emotional ... stand up after the poet has got out from underneath it ; it must apply beyond the 24 SANSKRIT POETICS Theory of the ...
... standing , not for dead , neutral , material entities , but the object as invested with the power of emotional ... stand up after the poet has got out from underneath it ; it must apply beyond the 24 SANSKRIT POETICS Theory of the ...
Pagina 152
... stand for the visage of Lady Night . Raga means red , the red of twilight ; it can also mean erotic passion , the red of blush . Thus , as Poe would say , there lies beneath the transparent upper current of meaning an under or ...
... stand for the visage of Lady Night . Raga means red , the red of twilight ; it can also mean erotic passion , the red of blush . Thus , as Poe would say , there lies beneath the transparent upper current of meaning an under or ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote
Informații bibliografice
| Titlu | Sanskrit Poetics: A Critical and Comparative Study |
| Autor | Krishna Chaitanya |
| Editor | Asia Publishing House, 1965 |
| Exemplar original de la | Universitatea din Michigan |
| Scanată la | 12 mai 2008 |
| Lungime | 466 pagini |
| Exportă citatul | BiBTeX EndNote RefMan |