Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 44
... stage . Abhinava points out that in the drama , Maya Pushpaka , the divine curse storms into the stage as a terrible form . Lowes67 wrote : " We are dealing with the communi- cation of ideas , perceptions , feelings , impressions . That ...
... stage . Abhinava points out that in the drama , Maya Pushpaka , the divine curse storms into the stage as a terrible form . Lowes67 wrote : " We are dealing with the communi- cation of ideas , perceptions , feelings , impressions . That ...
Pagina 190
... stage set ( Nepathyaja ) as by the character portrayed ( Svabhavaja ) . The term Aharya , 86 in Bharata , covers not only stage decor and scenic effects , but also the costume and make - up of characters . Representation through these ...
... stage set ( Nepathyaja ) as by the character portrayed ( Svabhavaja ) . The term Aharya , 86 in Bharata , covers not only stage decor and scenic effects , but also the costume and make - up of characters . Representation through these ...
Pagina 403
... stage in the process of poetic experience , in which the self experiences itself as affected by the specific sentiment . But he asserts that this is not the final stage . At the highest stage , this specificity sinks into the background ...
... stage in the process of poetic experience , in which the self experiences itself as affected by the specific sentiment . But he asserts that this is not the final stage . At the highest stage , this specificity sinks into the background ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote