Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 51
... speak strictly , there was no deformity , because no form . . . . In brief , all things are artificial ( i.e. artistic ) ; for nature is the Art of God . " 110 Even here , the discovery that nature is the art of God is possible only ...
... speak strictly , there was no deformity , because no form . . . . In brief , all things are artificial ( i.e. artistic ) ; for nature is the Art of God . " 110 Even here , the discovery that nature is the art of God is possible only ...
Pagina 61
... speak , by the poetic sense . " This poetic sense , which is but one with poetry itself , is the inner ontologic entelechy of the poem , and gives it its very being and substantial significance . " And in a manner which would pleasantly ...
... speak , by the poetic sense . " This poetic sense , which is but one with poetry itself , is the inner ontologic entelechy of the poem , and gives it its very being and substantial significance . " And in a manner which would pleasantly ...
Pagina 150
... speaking and the poem must henceforwards speak for itself , without needing any further reference back to the poet beyond what he has enshrined of himself in the poem . This is Mallarmé's last curt dismissal of any possible charge that ...
... speaking and the poem must henceforwards speak for itself , without needing any further reference back to the poet beyond what he has enshrined of himself in the poem . This is Mallarmé's last curt dismissal of any possible charge that ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote