Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 38
Pagina 3
... sentiment , the sentiment develops into aesthetic emotion . " Again , postponing the very necessary detailed discussion to a little later , for a preliminary understanding we can take the help of Bharata's own clarification of the terms ...
... sentiment , the sentiment develops into aesthetic emotion . " Again , postponing the very necessary detailed discussion to a little later , for a preliminary understanding we can take the help of Bharata's own clarification of the terms ...
Pagina 205
... sentiment into the current of the main Rasa . Now , all these rules can be obeyed and the result need not necessarily be more serious than preciosity . That is , an aestheticism , insulated from life , can accept them as principles of ...
... sentiment into the current of the main Rasa . Now , all these rules can be obeyed and the result need not necessarily be more serious than preciosity . That is , an aestheticism , insulated from life , can accept them as principles of ...
Pagina 307
... sentiment ( Sthayin ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " 1 anticipates and rejects this type of quibble , though agreeing with the general propo- sition that Santa is acceptable as dominant motif in literary ...
... sentiment ( Sthayin ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " 1 anticipates and rejects this type of quibble , though agreeing with the general propo- sition that Santa is acceptable as dominant motif in literary ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote