Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 124
... sense is never a suggestor ( Vyanjaka ) . It is very wide in its scope ( Maha Vishaya ) and its range includes what is regarded as suggestion , where the expressed sense functions as a ground of inference . Mahima claims that , since ...
... sense is never a suggestor ( Vyanjaka ) . It is very wide in its scope ( Maha Vishaya ) and its range includes what is regarded as suggestion , where the expressed sense functions as a ground of inference . Mahima claims that , since ...
Pagina 143
... sense ( Vyangya artha ) to which the name Dhvani is applied when it is predominant , is now definitely posed as the soul ( Atman ) of poetry . But there are ambiguities here . The Dhvani- kara's verse , 87 in which this view is set ...
... sense ( Vyangya artha ) to which the name Dhvani is applied when it is predominant , is now definitely posed as the soul ( Atman ) of poetry . But there are ambiguities here . The Dhvani- kara's verse , 87 in which this view is set ...
Pagina 144
... sense predominates and supersedes the expressed . This is called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha88 confirms this as the ...
... sense predominates and supersedes the expressed . This is called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha88 confirms this as the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote