Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 8
Pagina 187
... scene opens with Rama and Sita on the stage . Since the drama only begins , and is not completed , with the prologue and since the day - to - day world can intrude into its world at any time before it concludes , the transition from raw ...
... scene opens with Rama and Sita on the stage . Since the drama only begins , and is not completed , with the prologue and since the day - to - day world can intrude into its world at any time before it concludes , the transition from raw ...
Pagina 188
... scene of the playlet , but this time as a reality for Rama , and restore Sita to him . The maturing of a representation in a playlet as a reality in the main play and , earlier , its impact as reality on the hero of the main play , are ...
... scene of the playlet , but this time as a reality for Rama , and restore Sita to him . The maturing of a representation in a playlet as a reality in the main play and , earlier , its impact as reality on the hero of the main play , are ...
Pagina 326
... scene . " My soul exposed to the torches of the sun , I can sustain thee , . . . implacable light , thou with pitiless arms ! " The soul is " consumed " by the dazzling light ; but it does not mean that it sinks into the torpor of ...
... scene . " My soul exposed to the torches of the sun , I can sustain thee , . . . implacable light , thou with pitiless arms ! " The soul is " consumed " by the dazzling light ; but it does not mean that it sinks into the torpor of ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote