Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 59
Pagina 235
... relish pain and despair just as daily life can relish the instrumental aspects of things , their utility . In fact what we are dealing with is a higher order of action . poetic action , which transforms pain into an instrument through ...
... relish pain and despair just as daily life can relish the instrumental aspects of things , their utility . In fact what we are dealing with is a higher order of action . poetic action , which transforms pain into an instrument through ...
Pagina 326
... relish . Here the fruit is only a medium , the final experience is that of a self - relish where the self and the object have become interpenetrated . The gifted sensibility can relish every experience thus , however unpromising it may ...
... relish . Here the fruit is only a medium , the final experience is that of a self - relish where the self and the object have become interpenetrated . The gifted sensibility can relish every experience thus , however unpromising it may ...
Pagina 388
... relish . This is the doctrine of Abhinava . But , for this self - relish , the self has to become both subject and object . The usual reading of the romantic allegory of the Bhagavata is that Krishna stands for God and Radha and other ...
... relish . This is the doctrine of Abhinava . But , for this self - relish , the self has to become both subject and object . The usual reading of the romantic allegory of the Bhagavata is that Krishna stands for God and Radha and other ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote