Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 122
The connection between the object denoted by the word and the word itself , regarded as an object with its texture and shape , on the one side , and the feeling nuance evoked , on the other , is not a matter of mere convention .
The connection between the object denoted by the word and the word itself , regarded as an object with its texture and shape , on the one side , and the feeling nuance evoked , on the other , is not a matter of mere convention .
Pagina 155
It is regarded as merely " pictorial in word " or " pictorial in sense " and is called pictorial poetry ( Chitra Kavya ) . Visvanatha refused to regard it as any kind of poetry at all . We also saw a similar rejection by Mallarmé of the ...
It is regarded as merely " pictorial in word " or " pictorial in sense " and is called pictorial poetry ( Chitra Kavya ) . Visvanatha refused to regard it as any kind of poetry at all . We also saw a similar rejection by Mallarmé of the ...
Pagina 249
Either can be regarded as subjective or objective . The capacity to feel is as real as the capacity to perceive through the senses or to think . Knowledge of fact is gained only after perception . Knowledge of feeling is gained only by ...
Either can be regarded as subjective or objective . The capacity to feel is as real as the capacity to perceive through the senses or to think . Knowledge of fact is gained only after perception . Knowledge of feeling is gained only by ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote