Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 153
He directly refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem .
He directly refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem .
Pagina 215
Leon38 refers to this absorption and repose . " Aesthetic experience is an absorption ; it is complete and self - contained ; it is marked by repose and finality . It has these characteristics because its object is a complete self ...
Leon38 refers to this absorption and repose . " Aesthetic experience is an absorption ; it is complete and self - contained ; it is marked by repose and finality . It has these characteristics because its object is a complete self ...
Pagina 403
Poe refers to the Principle of the Human Aspiration for Supernal Beauty . ... the intoxication of the heart seems to refer to Abhinava's first stage , when the specificity of the sentiment relished lingers in the consciousness , and the ...
Poe refers to the Principle of the Human Aspiration for Supernal Beauty . ... the intoxication of the heart seems to refer to Abhinava's first stage , when the specificity of the sentiment relished lingers in the consciousness , and the ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote