Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 146
... refers to the juxtaposition of images which is the basis of the poetic figure . " This elaboration refines the sensible image by association with other sharp and sensible images , to produce a highly sophisticated and delicate way of ...
... refers to the juxtaposition of images which is the basis of the poetic figure . " This elaboration refines the sensible image by association with other sharp and sensible images , to produce a highly sophisticated and delicate way of ...
Pagina 153
... refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem . There is not even any subordinated ...
... refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem . There is not even any subordinated ...
Pagina 215
... refers to this absorption and repose . " Aesthetic experience is an absorption ; it is complete and self - contained ; it is marked by repose and finality . It has these characteristics because its object is a complete self - subsistent ...
... refers to this absorption and repose . " Aesthetic experience is an absorption ; it is complete and self - contained ; it is marked by repose and finality . It has these characteristics because its object is a complete self - subsistent ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote