Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 40
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
... reality does not depend on physical reality , but on the fact that they are real creations of poetic power . Mammata illustrates this with reference to the painting of a horse and explains further that art objects have no place in the ...
Pagina 44
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the evolutionary energy of nature . 63 66 Bharata also insists that the very idea of ...
... reality . For aesthetic crea- tivity is a part of life and reality , and this new order is its creation , just as natural forms are the creation of the evolutionary energy of nature . 63 66 Bharata also insists that the very idea of ...
Pagina 132
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . II . MUSICAL POWER AND LIMITS OF ...
... reality as the power to resonate of the sensibility that receives its intimation in relish , for the poetic word acquired this power in the first place from the creative act of a poetic sensibility . II . MUSICAL POWER AND LIMITS OF ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta absolute accept action aesthetic aesthetic experience aesthetic relish affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna heart human I. A. Richards Ibid imagination integration intuition Kavya Krishna Kuntaka liberation living Mallarmé Mammata meaning mind monism moral myth nature object objective correlative Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry profound prose psychological pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin stimulus suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth ultimate unconscious Upanishad Valéry Valmiki Veda Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote