Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 420
... Quoted , Artists on Art , p . 361 ( Pantheon Books , 1945 ) . Eric Gill : " The Priesthood of Craftsmanship , " Blackfriars Magazine , Dec. , 1940 . 110 . 111 . 112 . T. S. Eliot : The Sacred Wood ( Methuen , 1920 ) . Oeuvres Complètes ...
... Quoted , Artists on Art , p . 361 ( Pantheon Books , 1945 ) . Eric Gill : " The Priesthood of Craftsmanship , " Blackfriars Magazine , Dec. , 1940 . 110 . 111 . 112 . T. S. Eliot : The Sacred Wood ( Methuen , 1920 ) . Oeuvres Complètes ...
Pagina 421
... Quoted , H. Caudwell : The Creative Impulse , pp . 43-44 . 1. Margaret Bulley : 2 . 4 . John Marin : 5 . Auguste Rodin : 6 . 7 . 3. Ibid . Quoted , Artists on Art , p . 468 ( Pantheon Books , 1945 ) . Quoted , Ibid . , p . 325 . M. H. ...
... Quoted , H. Caudwell : The Creative Impulse , pp . 43-44 . 1. Margaret Bulley : 2 . 4 . John Marin : 5 . Auguste Rodin : 6 . 7 . 3. Ibid . Quoted , Artists on Art , p . 468 ( Pantheon Books , 1945 ) . Quoted , Ibid . , p . 325 . M. H. ...
Pagina 437
... Quoted by Raghava Bhatta in his commentary on Shakuntala . Journal of Oriental Research , Madras , Vol . XI , p . 113. See also Subodh Chandra Mukherjee : Le Rasa , Essai sur l'esthétique Indienne , pp . 7-8 ( Felix Alcan , 1926 ) ...
... Quoted by Raghava Bhatta in his commentary on Shakuntala . Journal of Oriental Research , Madras , Vol . XI , p . 113. See also Subodh Chandra Mukherjee : Le Rasa , Essai sur l'esthétique Indienne , pp . 7-8 ( Felix Alcan , 1926 ) ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote