Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 114
... prose . Earlier to Bhoja , Dandin62 had divided prose into three varieties : savouring of verse in being pronouncedly , near- metrically rhythmic ( Vritta - gandhi ) ; limpid , and mellifluous with sweet vocables and no long ...
... prose . Earlier to Bhoja , Dandin62 had divided prose into three varieties : savouring of verse in being pronouncedly , near- metrically rhythmic ( Vritta - gandhi ) ; limpid , and mellifluous with sweet vocables and no long ...
Pagina 116
... prose . And if the complete flexibility of iambic pentameter tempts Williams to call it prose , we may be tempted to call Bana's prose poetry , for at this depth , where metre becomes no longer relevant , the distinction really gets ...
... prose . And if the complete flexibility of iambic pentameter tempts Williams to call it prose , we may be tempted to call Bana's prose poetry , for at this depth , where metre becomes no longer relevant , the distinction really gets ...
Pagina 117
A Critical and Comparative Study Krishna Chaitanya. Even in the earlier period of the prose romances , we cannot call the medium used by a writer like Subandhu " poetic prose . It is merely an artificial medium which is neither prose nor ...
A Critical and Comparative Study Krishna Chaitanya. Even in the earlier period of the prose romances , we cannot call the medium used by a writer like Subandhu " poetic prose . It is merely an artificial medium which is neither prose nor ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Gupta absolute accept action aesthetic aesthetic experience aesthetic relish affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna heart human I. A. Richards Ibid imagination integration intuition Kavya Krishna Kuntaka liberation living Mallarmé Mammata meaning mind monism moral myth nature object objective correlative Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry profound prose psychological pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin stimulus suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth ultimate unconscious Upanishad Valéry Valmiki Veda Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote