Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 203
... principle of the adaptation of stylistic qualities to the feeling ( Rasanarupa Sandarbhatvam ) . To describe young hearts in love , the soft ( Komal ) music of liquid consonants and plenty of vowels will be ideal ; but it is totally ...
... principle of the adaptation of stylistic qualities to the feeling ( Rasanarupa Sandarbhatvam ) . To describe young hearts in love , the soft ( Komal ) music of liquid consonants and plenty of vowels will be ideal ; but it is totally ...
Pagina 204
... principle which should govern all phases of creativity which ultimately transform the dormant sentiment ( Bhava ) into a relishable state , into Rasa . This leads him to the definition of the concept of poetic failure or contradiction ...
... principle which should govern all phases of creativity which ultimately transform the dormant sentiment ( Bhava ) into a relishable state , into Rasa . This leads him to the definition of the concept of poetic failure or contradiction ...
Pagina 365
... principles are not contradictory , but are in fact aspects of a unitary , integrative principle . " The meaning of any natural thing or event " , says the biologist , Herrick , 150 " cannot be fully grasped or explained scientifically ...
... principles are not contradictory , but are in fact aspects of a unitary , integrative principle . " The meaning of any natural thing or event " , says the biologist , Herrick , 150 " cannot be fully grasped or explained scientifically ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote