Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 78
Bhamaha defines this imaginative quality ( Bhavikatva ) as that power of the poetic expression by which the past and the future presented by the poet are so vivid as to look like belonging to the present . Murari , 25 the ninth century ...
Bhamaha defines this imaginative quality ( Bhavikatva ) as that power of the poetic expression by which the past and the future presented by the poet are so vivid as to look like belonging to the present . Murari , 25 the ninth century ...
Pagina 148
However , since we cannot attempt a study of his poetry here , Mallarmé the theorist is more important to us in the present context than Mallarmé the poet . He defines his own poetic ideals through an opposi- tion to the practice of the ...
However , since we cannot attempt a study of his poetry here , Mallarmé the theorist is more important to us in the present context than Mallarmé the poet . He defines his own poetic ideals through an opposi- tion to the practice of the ...
Pagina 328
Eliot feels that time present and time past are both present in time future and time future con- tained in time past . This inevitably means the denial of the reality of process and evolution . " If all time is eternally present all ...
Eliot feels that time present and time past are both present in time future and time future con- tained in time past . This inevitably means the denial of the reality of process and evolution . " If all time is eternally present all ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote