Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 87
Pagina 71
... poem says is always more than what is said in the poem " . If the argument were all that the poem says , it would be ( as Coleridge in fact said of Pope's Essay on Man ) not poetry , " but thoughts translated into the language of poetry ...
... poem says is always more than what is said in the poem " . If the argument were all that the poem says , it would be ( as Coleridge in fact said of Pope's Essay on Man ) not poetry , " but thoughts translated into the language of poetry ...
Pagina 153
... poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be relegated to an inferior status , just because the centre of gravity of the poem does not lie in the plane of ...
... poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be relegated to an inferior status , just because the centre of gravity of the poem does not lie in the plane of ...
Pagina 197
... poem develops the organismic quality which Bhoja calls pervasive emotion ( Rasa Bhava Nirantaratva ) . Strictly , what Bhoja seems to mean by this concept is that the whole poem should have one Rasa as its main mood . But , since , in ...
... poem develops the organismic quality which Bhoja calls pervasive emotion ( Rasa Bhava Nirantaratva ) . Strictly , what Bhoja seems to mean by this concept is that the whole poem should have one Rasa as its main mood . But , since , in ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote