Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 186
Bhavabhuti's plays were presented during the festival of Lord Mahakala whose temple was the centre of religious ... The stage - director greets the assembly , makes a brief reference to the dramatist and the play and initiates the ...
Bhavabhuti's plays were presented during the festival of Lord Mahakala whose temple was the centre of religious ... The stage - director greets the assembly , makes a brief reference to the dramatist and the play and initiates the ...
Pagina 187
In the concluding act of his play , as the immediate context of the dramatic resolution , Bhavabhuti introduces with exceptional brilliance a play within the play . This has as its theme the vicissitudes of Sita after she was abandoned ...
In the concluding act of his play , as the immediate context of the dramatic resolution , Bhavabhuti introduces with exceptional brilliance a play within the play . This has as its theme the vicissitudes of Sita after she was abandoned ...
Pagina 188
The playlet is over ; it is abruptly terminated because of its terrific impact as reality , not representation , on Rama , who is the hero of the main play . What now happens is a reality for the characters of the main play .
The playlet is over ; it is abruptly terminated because of its terrific impact as reality , not representation , on Rama , who is the hero of the main play . What now happens is a reality for the characters of the main play .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote