Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 26
... perception , which category alone can be embraced by an approach like that of Lollata . The Sthayin is not an object of perception because it cannot be staticised as an object existing at only one specific conjunction of space and time ...
... perception , which category alone can be embraced by an approach like that of Lollata . The Sthayin is not an object of perception because it cannot be staticised as an object existing at only one specific conjunction of space and time ...
Pagina 129
... perception of particularity or unity . He feels that sole reliance on asso- ciationism involves the sacrifice of the perception of unity.30 Bergson31 claims that the operation of the intellect is indirect , being composed of a number of ...
... perception of particularity or unity . He feels that sole reliance on asso- ciationism involves the sacrifice of the perception of unity.30 Bergson31 claims that the operation of the intellect is indirect , being composed of a number of ...
Pagina 301
... perception unless the deep centre of personality consents to attend to them . Both experience of external reality as well as internal experience , awareness of self as con- scious perception , can arise only when the deep centre chooses ...
... perception unless the deep centre of personality consents to attend to them . Both experience of external reality as well as internal experience , awareness of self as con- scious perception , can arise only when the deep centre chooses ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote