Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 35
... passage into himself he called " instress " . On the other hand , the experience is not a complete donation of the outside world to the human spirit . As Abrams has emphasised in his study of romantic poetry , the artist is not content ...
... passage into himself he called " instress " . On the other hand , the experience is not a complete donation of the outside world to the human spirit . As Abrams has emphasised in his study of romantic poetry , the artist is not content ...
Pagina 46
... passage which reveals complete agreement with the view of Sanskrit poetics that the transfer of aesthetic experience takes place through sympathetic induction . " The stone Euripides calls magnet does not only attract iron rings , but ...
... passage which reveals complete agreement with the view of Sanskrit poetics that the transfer of aesthetic experience takes place through sympathetic induction . " The stone Euripides calls magnet does not only attract iron rings , but ...
Pagina 61
... passage can be exactly expressed thus : " Our noisy ( or loud - sounding or clamorous ) twelve months appear minutes ( or seconds ) in the existence of the unending soundlessness . " One is puzzled as to the exact point which is sought ...
... passage can be exactly expressed thus : " Our noisy ( or loud - sounding or clamorous ) twelve months appear minutes ( or seconds ) in the existence of the unending soundlessness . " One is puzzled as to the exact point which is sought ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote