Sanskrit Poetics: A Critical and Comparative Study |
Din interiorul cărții
Rezultatele 1 - 3 din 85
Pagina 217
In the aesthetic context , the object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free ...
In the aesthetic context , the object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free ...
Pagina 300
If , on the other hand , we try to save the content , by emphasizing the inclusion at the expense of the exclusion , then the con- sciousness vanishes ; and since the self has no contents , but the objects of which it is conscious ...
If , on the other hand , we try to save the content , by emphasizing the inclusion at the expense of the exclusion , then the con- sciousness vanishes ; and since the self has no contents , but the objects of which it is conscious ...
Pagina 400
The mind that receives the object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world .
The mind that receives the object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world .
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote