Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 217
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
Pagina 300
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
Pagina 400
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote