Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 258
The moral law is natural law according to the naturalists and since the further claim is made that it can be recognised by any one who exercises his own understanding , it is spoken of as the dictate of reason .
The moral law is natural law according to the naturalists and since the further claim is made that it can be recognised by any one who exercises his own understanding , it is spoken of as the dictate of reason .
Pagina 276
But it is also Dharmartha- guna - vistaram ; that is , the dominant accent is on moral responsibility , on man as a moral being , on the dignity which man gains when he accepts the obligations implicit in an ideal character.140 141 ...
But it is also Dharmartha- guna - vistaram ; that is , the dominant accent is on moral responsibility , on man as a moral being , on the dignity which man gains when he accepts the obligations implicit in an ideal character.140 141 ...
Pagina 286
The ultimate aim of art is to represent the super- sensuous , and tragic art in particular achieves this by making sensuous the moral independence of man from the laws of nature in a state of passion .
The ultimate aim of art is to represent the super- sensuous , and tragic art in particular achieves this by making sensuous the moral independence of man from the laws of nature in a state of passion .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote