Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 12
... mind is moved ? They arise directly from the movement of the mind or sensibility ( manah - prabhavam ) . Bhoja73 stresses that all forms of emotional expression ( Bhava ) are , in a generalised sense , Satvika if you take Satva to mean mind ...
... mind is moved ? They arise directly from the movement of the mind or sensibility ( manah - prabhavam ) . Bhoja73 stresses that all forms of emotional expression ( Bhava ) are , in a generalised sense , Satvika if you take Satva to mean mind ...
Pagina 301
... mind is the locus of consciousness and in introspection it is both the subject and the object , in Indian psychology the difference between mind as object and mind as subject is conceived to be fundamental . The two are therefore ...
... mind is the locus of consciousness and in introspection it is both the subject and the object , in Indian psychology the difference between mind as object and mind as subject is conceived to be fundamental . The two are therefore ...
Pagina 400
... mind is now in a state of serene self - possession ,, the serenity is not to be confused with a withdrawn deadness ... mind that receives the object in this type of confrontation is no longer the mind that engaged in practical living ...
... mind is now in a state of serene self - possession ,, the serenity is not to be confused with a withdrawn deadness ... mind that receives the object in this type of confrontation is no longer the mind that engaged in practical living ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote