Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 145
There can be no poetry without Rasa.10 100 The admission of the two categories of the suggestion of matter of fact and of poetic figure need not create any difficulties . For Abhinava is certain that these two categories of suggestion ...
There can be no poetry without Rasa.10 100 The admission of the two categories of the suggestion of matter of fact and of poetic figure need not create any difficulties . For Abhinava is certain that these two categories of suggestion ...
Pagina 266
We must explicitly separate the critical judgment into two judgments : the aesthetic and the moral , or , as Tolstoy said , into ' judgment of art consi- dered apart from subject matter ' and ' judgment according to subject matter ' .
We must explicitly separate the critical judgment into two judgments : the aesthetic and the moral , or , as Tolstoy said , into ' judgment of art consi- dered apart from subject matter ' and ' judgment according to subject matter ' .
Pagina 315
Samkhya keeps the spirit , Purusha , separate from matter or nature , Prakrti . The mere presence of the former serves as a catalytic force which helps nature to evolve ; but the soul itself is not involved in the evolutionary process .
Samkhya keeps the spirit , Purusha , separate from matter or nature , Prakrti . The mere presence of the former serves as a catalytic force which helps nature to evolve ; but the soul itself is not involved in the evolutionary process .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote