Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 115
... line - group is often obliterated for the ear , either by run - on lines which carry over the separating pause into the body of the next line , or by phrase groups which insert pauses within the body of the line . A great prevalence of ...
... line - group is often obliterated for the ear , either by run - on lines which carry over the separating pause into the body of the next line , or by phrase groups which insert pauses within the body of the line . A great prevalence of ...
Pagina 128
... lines on his face by the accrual to this sensory core of an associational context where similar lines on one's own face are remembered to have been brought about by one's own suffering . Inference cannot be saved as the sole reality by ...
... lines on his face by the accrual to this sensory core of an associational context where similar lines on one's own face are remembered to have been brought about by one's own suffering . Inference cannot be saved as the sole reality by ...
Pagina 323
... lines . This decision enabled me to distribute rather easily in my work what it needed of the sensuous , affec- tive , and abstract in order to suggest , transported into the poetic universe , the meditation of a certain self . The need ...
... lines . This decision enabled me to distribute rather easily in my work what it needed of the sensuous , affec- tive , and abstract in order to suggest , transported into the poetic universe , the meditation of a certain self . The need ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote