Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 133
He did not want to deny the normal powers of language their utility to poetry . That would have totally destroyed the communicability of poetic experience . Denotation , indication and purport were all assimilated into poetry .
He did not want to deny the normal powers of language their utility to poetry . That would have totally destroyed the communicability of poetic experience . Denotation , indication and purport were all assimilated into poetry .
Pagina 139
Art , said Veron , is essentially a language . The ordinary language of the spoken word ori- ginated from the expression of emotions by instinctive , natural reactions mentioned by Ananda Vardhana also cries of pleasure and pain , anger ...
Art , said Veron , is essentially a language . The ordinary language of the spoken word ori- ginated from the expression of emotions by instinctive , natural reactions mentioned by Ananda Vardhana also cries of pleasure and pain , anger ...
Pagina 142
Poetic handling of language ever seeks to accent its emotive capacity . This can be done , as both Valéry and the Dhvani theory claim , by sensitive handling of the resonances of words . But their referential aspect cannot be ignored ...
Poetic handling of language ever seeks to accent its emotive capacity . This can be done , as both Valéry and the Dhvani theory claim , by sensitive handling of the resonances of words . But their referential aspect cannot be ignored ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote