Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 15
... immediate experience interacts with remembered experiences of like character in the past to yield the final flavour of the experience.92 This analysis is identical with that of Sanskrit poetics which sees the individual , alike in ...
... immediate experience interacts with remembered experiences of like character in the past to yield the final flavour of the experience.92 This analysis is identical with that of Sanskrit poetics which sees the individual , alike in ...
Pagina 123
A third power of the language of ordinary discourse is now invoked to absorb suggestion . This is purport ( Tatparya ) . The Mimamsakas had admitted that denotation gave the meaning of individual words ( Padartha ) ...
A third power of the language of ordinary discourse is now invoked to absorb suggestion . This is purport ( Tatparya ) . The Mimamsakas had admitted that denotation gave the meaning of individual words ( Padartha ) ...
Pagina 224
Aesthetic creation , likewise , is an overflow of energy , which cannot be wholly contained by the essen- tially utilitarian survival tasks of the individual , into creative channels . Secondly , to be means to act .
Aesthetic creation , likewise , is an overflow of energy , which cannot be wholly contained by the essen- tially utilitarian survival tasks of the individual , into creative channels . Secondly , to be means to act .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote