Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 122
The denotation of a prime stimu- lus , Vibhava , which gives rise to Rasa , is not a denotation of the Rasa itself . The connection between word and object is a convention . The connection between the object denoted by the word and the ...
The denotation of a prime stimu- lus , Vibhava , which gives rise to Rasa , is not a denotation of the Rasa itself . The connection between word and object is a convention . The connection between the object denoted by the word and the ...
Pagina 148
He gives the most succinct yet comprehensive definition of Symbolism which is perfectly valid for the Dhvani Kavya as well : distil the material world , volatalise it ; do not reproduce it ( realism , naturalism ) , because the Creator ...
He gives the most succinct yet comprehensive definition of Symbolism which is perfectly valid for the Dhvani Kavya as well : distil the material world , volatalise it ; do not reproduce it ( realism , naturalism ) , because the Creator ...
Pagina 248
Since sentient beings strive to exercise functions which give pleasure and avoid those which yield pain ... Though Spencer thus gives evolutionary priority to egoistic motives , his analysis provides also for the development of ...
Since sentient beings strive to exercise functions which give pleasure and avoid those which yield pain ... Though Spencer thus gives evolutionary priority to egoistic motives , his analysis provides also for the development of ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote