Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 23
Tolstoy137 wrote : " To evoke in oneself a feeling one has experienced , and having evoked it in oneself , then , by means of movements , lines , colours , sounds , or forms expressed in words , so to transmit that feeling that others ...
Tolstoy137 wrote : " To evoke in oneself a feeling one has experienced , and having evoked it in oneself , then , by means of movements , lines , colours , sounds , or forms expressed in words , so to transmit that feeling that others ...
Pagina 89
Otherwise it is like decorating a dead body , adds Abhinava.75 What is embellished is the feeling and therefore poetic figures are functionally justified only when they help in the evocation of feeling . Thus Ananda Vardhana lays down ...
Otherwise it is like decorating a dead body , adds Abhinava.75 What is embellished is the feeling and therefore poetic figures are functionally justified only when they help in the evocation of feeling . Thus Ananda Vardhana lays down ...
Pagina 236
If , in the representa- tion by the actor , these unpleasant feelings are rendered pleasant , the acting must be ... This , however , is contributed by the skill of the actor in representing the feeling , not by the feeling itself .
If , in the representa- tion by the actor , these unpleasant feelings are rendered pleasant , the acting must be ... This , however , is contributed by the skill of the actor in representing the feeling , not by the feeling itself .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote