Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 23
... feeling that others may experience the same feeling - this is the activity of art . . . . It is a means of union among men , joining them together in the same feelings , and indispensable for the life and progress towards well - being ...
... feeling that others may experience the same feeling - this is the activity of art . . . . It is a means of union among men , joining them together in the same feelings , and indispensable for the life and progress towards well - being ...
Pagina 89
... feeling and therefore poetic figures are functionally justified only when they help in the evocation of feeling . Thus Ananda Vardhana lays down these principles : the figure should suggest the feeling ; it should be born along with the ...
... feeling and therefore poetic figures are functionally justified only when they help in the evocation of feeling . Thus Ananda Vardhana lays down these principles : the figure should suggest the feeling ; it should be born along with the ...
Pagina 236
... feeling , not by the feeling itself . The attribution of beauty and the experience of delight to the feeling itself is due to a confusion . Rudrabhatta1 Rudrabhatta109 ( tenth or eleventh century ) also feels the same way . Pathetic and ...
... feeling , not by the feeling itself . The attribution of beauty and the experience of delight to the feeling itself is due to a confusion . Rudrabhatta1 Rudrabhatta109 ( tenth or eleventh century ) also feels the same way . Pathetic and ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote