Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 90
Pagina 58
... expression as the peculiar charm ( Vicchitti ) or strikingness ( Vaichitrya ) which can be creatively donated to ordinary expression by the imagination of the poet ( Kavi Pratibha ) . It is the mode of expression ( Vinyasa Krama ) in ...
... expression as the peculiar charm ( Vicchitti ) or strikingness ( Vaichitrya ) which can be creatively donated to ordinary expression by the imagination of the poet ( Kavi Pratibha ) . It is the mode of expression ( Vinyasa Krama ) in ...
Pagina 79
... expression is legitimate . But to see only figurative expression as poetic expression is a serious unconscious fallacy . Bain31 defined the poetic figure thus : " A figure of speech is a deviation from the plain and ordinary mode of ...
... expression is legitimate . But to see only figurative expression as poetic expression is a serious unconscious fallacy . Bain31 defined the poetic figure thus : " A figure of speech is a deviation from the plain and ordinary mode of ...
Pagina 88
... expression through stone , or canvas , or musical sound , of the deepest and simplest attributes of our nature , and therefore most intelligible at least to those souls which have these attributes . " We come back to the fundamental ...
... expression through stone , or canvas , or musical sound , of the deepest and simplest attributes of our nature , and therefore most intelligible at least to those souls which have these attributes . " We come back to the fundamental ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote