Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 13
... emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there , and it ...
... emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there , and it ...
Pagina 22
... emotions are some sort of raw material which are refined into feelings by the aesthe- tic process . But this final feeling is also called a " new art emotion " and aesthetic experience is completely separated from life experience in a ...
... emotions are some sort of raw material which are refined into feelings by the aesthe- tic process . But this final feeling is also called a " new art emotion " and aesthetic experience is completely separated from life experience in a ...
Pagina 31
... emotion . After discoursing on the prime stimuli , congruent behavioural features and ancillary emotional reac- tions ( Vibhavas , Anubhavas and Vyabhichari Bhavas ) of love , Bharata remarks : " When all these are represented , aided ...
... emotion . After discoursing on the prime stimuli , congruent behavioural features and ancillary emotional reac- tions ( Vibhavas , Anubhavas and Vyabhichari Bhavas ) of love , Bharata remarks : " When all these are represented , aided ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote