Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 21
... effect . " Baudelaire 126 endorses this approach . " The artist , after having conceived the effect to be produced in leisurely deliberation , must invent the incidents , and combine the episodes most suitable for leading to the intended ...
... effect . " Baudelaire 126 endorses this approach . " The artist , after having conceived the effect to be produced in leisurely deliberation , must invent the incidents , and combine the episodes most suitable for leading to the intended ...
Pagina 22
... effect of a work of art upon the person who enjoys it is an experience different in kind from any experience not of art . " Ambiguities pile up in the further elaboration . " It ( the effect of a work of art ) may be formed out of one ...
... effect of a work of art upon the person who enjoys it is an experience different in kind from any experience not of art . " Ambiguities pile up in the further elaboration . " It ( the effect of a work of art ) may be formed out of one ...
Pagina 26
... effect ( Utpadya ) . To Lollata , Bharata's Nishpatti , emergence , is Utpatti , causal origination . Abhinava Gupta's brilliant mind noticed at once that the literalism of the Mimamsakas would annex aesthetics to grammar and bring ...
... effect ( Utpadya ) . To Lollata , Bharata's Nishpatti , emergence , is Utpatti , causal origination . Abhinava Gupta's brilliant mind noticed at once that the literalism of the Mimamsakas would annex aesthetics to grammar and bring ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Gupta absolute accept action aesthetic aesthetic experience aesthetic relish affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna heart human I. A. Richards Ibid imagination integration intuition Kavya Krishna Kuntaka liberation living Mallarmé Mammata meaning mind monism moral myth nature object objective correlative Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry profound prose psychological pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin stimulus suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth ultimate unconscious Upanishad Valéry Valmiki Veda Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote