Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 192
... drama . Vachika is representation through speech , the personalised idiom and its stylised delivery . Satvika98 is the climactic effort , because it involves the realisation of all the bodily changes symptomatic and revelatory of ...
... drama . Vachika is representation through speech , the personalised idiom and its stylised delivery . Satvika98 is the climactic effort , because it involves the realisation of all the bodily changes symptomatic and revelatory of ...
Pagina 193
... drama and Maeterlinck's static theatre , we shall realise that , even if the drama cannot wholly dispense with motor action , the physical episodic development , there can be very wide differences in the quantum of such action mobilised ...
... drama and Maeterlinck's static theatre , we shall realise that , even if the drama cannot wholly dispense with motor action , the physical episodic development , there can be very wide differences in the quantum of such action mobilised ...
Pagina 197
... drama . Bharata's classical approach here does not seem to have been fully understood in subsequent interpretations . The feeling that drama is the only full - blooded form and that the poem is a derivation from it with an inevitable ...
... drama . Bharata's classical approach here does not seem to have been fully understood in subsequent interpretations . The feeling that drama is the only full - blooded form and that the poem is a derivation from it with an inevitable ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote