Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 136
... directly excited by the words should fitly intensify our emotions and feelings arising from contemplation of the meaning " . Sanskrit poetics , we have seen , has always affirmed that feeling is the soul of poetry , while sound and ...
... directly excited by the words should fitly intensify our emotions and feelings arising from contemplation of the meaning " . Sanskrit poetics , we have seen , has always affirmed that feeling is the soul of poetry , while sound and ...
Pagina 153
... directly refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem . There is not even any ...
... directly refers to his hallucinations . Therefore , a strict analysis from the point of view of the Dhvani theory would give the verdict that there is no Dhvani , as they understand the concept , in the poem . There is not even any ...
Pagina 158
... directly expressed image ? It cannot . For one thing , there is all the weight of the luminous clarification of the emotive power of poetic naturalism ( Svabhavokti ) . Secondly , even in the poetry of suggestion , does not the image ...
... directly expressed image ? It cannot . For one thing , there is all the weight of the luminous clarification of the emotive power of poetic naturalism ( Svabhavokti ) . Secondly , even in the poetry of suggestion , does not the image ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote