Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 315
plane in them , as the desire to experience and mould physical reality . This conation needs sense organs for its operation . " Brahman pierced the openings of the senses so that they turned outwards . ” 107 Desire or conation thus ...
plane in them , as the desire to experience and mould physical reality . This conation needs sense organs for its operation . " Brahman pierced the openings of the senses so that they turned outwards . ” 107 Desire or conation thus ...
Pagina 388
Krishna is called Aptakama ( of fulfilled desire ) since He sports here with all that is beloved to Him . " But this desire is not the pressure of need , but the desire for creative self - projection into the myriad things and moods of ...
Krishna is called Aptakama ( of fulfilled desire ) since He sports here with all that is beloved to Him . " But this desire is not the pressure of need , but the desire for creative self - projection into the myriad things and moods of ...
Pagina 407
the tenth or eleventh century , elaborates this concept into an evolutionary scheme spirit ( Chaitanya ) is bliss ( Ananda ) , relish ( Rasa ) ; its first modification is the ego - sense ( Ahamkara ) ; the ego manifests itself as desire ...
the tenth or eleventh century , elaborates this concept into an evolutionary scheme spirit ( Chaitanya ) is bliss ( Ananda ) , relish ( Rasa ) ; its first modification is the ego - sense ( Ahamkara ) ; the ego manifests itself as desire ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote