Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 209
Delight " , says Dryden , " is the chief , if not the only end , of poetry . " And Coleridge " adds that as " the ... Bharata1o conceived of the drama as the generator of delight ( Vinoda ) , a pleasure- giving device ( Kridaniyakam ) .
Delight " , says Dryden , " is the chief , if not the only end , of poetry . " And Coleridge " adds that as " the ... Bharata1o conceived of the drama as the generator of delight ( Vinoda ) , a pleasure- giving device ( Kridaniyakam ) .
Pagina 210
Here delight is the fundamental value . Otherwise , this question can be asked : since the literature of authority ( prabhu - sammita ) like the religious texts and ancillary disciplines , and imaginatively handled history ( Itihasa ) ...
Here delight is the fundamental value . Otherwise , this question can be asked : since the literature of authority ( prabhu - sammita ) like the religious texts and ancillary disciplines , and imaginatively handled history ( Itihasa ) ...
Pagina 238
This however spoils the case and Madhusudana Sarasvati has to say , quite contrary to the generally accepted notions , that Rasasvada ( relishing of the aesthetic emotion ) or Ananda ( delight ) therefore neces- sarily differs in ...
This however spoils the case and Madhusudana Sarasvati has to say , quite contrary to the generally accepted notions , that Rasasvada ( relishing of the aesthetic emotion ) or Ananda ( delight ) therefore neces- sarily differs in ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote