Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 209
... delight ( Vinoda ) , a pleasure- giving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
... delight ( Vinoda ) , a pleasure- giving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
Pagina 210
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
Pagina 238
... ( delight ) therefore neces- sarily differs in quantity and quality in such cases . " That is , Raghavan interprets Madhusudana to mean that feelings yield differential delight in poetic experience , according to their nature in day - to ...
... ( delight ) therefore neces- sarily differs in quantity and quality in such cases . " That is , Raghavan interprets Madhusudana to mean that feelings yield differential delight in poetic experience , according to their nature in day - to ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote