Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 48
... criticism is the perception of aesthetic objects , natural and artistic criticism is always determined by the quality of first - hand perception ; obtuseness in perception can never be made good by any amount of learning , however ...
... criticism is the perception of aesthetic objects , natural and artistic criticism is always determined by the quality of first - hand perception ; obtuseness in perception can never be made good by any amount of learning , however ...
Pagina 425
... Criticism , p . 267 ( New York , 1930 ) . Thomas Clark Pollock : The Nature of Literature ( London , 1942 ) . Mallarmé : Oeuvres Complètes , pp . 857-58 , Ed . by Henri Mondor and G. Jean- Aubry ( Gallimard , 1945 ) . 3 . 4 . 5 . 6 . 7 ...
... Criticism , p . 267 ( New York , 1930 ) . Thomas Clark Pollock : The Nature of Literature ( London , 1942 ) . Mallarmé : Oeuvres Complètes , pp . 857-58 , Ed . by Henri Mondor and G. Jean- Aubry ( Gallimard , 1945 ) . 3 . 4 . 5 . 6 . 7 ...
Pagina 444
... Criticism in a Mass Society , " in the Symposium , The Intent of the Critic . 116 . 117. I. A. Richards : I. A. Richards : Lional Trilling : 118 . 119 . 120 . 121 . 122 . 123 . Oswald Kulpe : The Liberal Imagination ( London , 1948 ) ...
... Criticism in a Mass Society , " in the Symposium , The Intent of the Critic . 116 . 117. I. A. Richards : I. A. Richards : Lional Trilling : 118 . 119 . 120 . 121 . 122 . 123 . Oswald Kulpe : The Liberal Imagination ( London , 1948 ) ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote