Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 37
... creative imagination . He says that if the poet has the creative power ( Sakti or Pratibha ) the defects that may arise from the lack of culture or learning will be cancelled , whereas , if the poet is deficient in it , and has only ...
... creative imagination . He says that if the poet has the creative power ( Sakti or Pratibha ) the defects that may arise from the lack of culture or learning will be cancelled , whereas , if the poet is deficient in it , and has only ...
Pagina 42
... creative act of the poet . / The expression " imitation " -of life - does occur in Sanskrit poetics ( Anukaranam ) . But Abhinava57 takes great pains to point out that Bharata had used a different word , Anukirtanam . It is difficult to ...
... creative act of the poet . / The expression " imitation " -of life - does occur in Sanskrit poetics ( Anukaranam ) . But Abhinava57 takes great pains to point out that Bharata had used a different word , Anukirtanam . It is difficult to ...
Pagina 220
... creative originality . This is because the discovery is not a passive , casual accident , chancing upon something that lies there in broad daylight , obvious to everybody ; it is the creation of value by the spirit for itself , though ...
... creative originality . This is because the discovery is not a passive , casual accident , chancing upon something that lies there in broad daylight , obvious to everybody ; it is the creation of value by the spirit for itself , though ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote