Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 111
Here , Bhoja makes a remarkably brilliant suggestion and points out that diction should be regarded as an Anubhava.46 In Bharata's fundamental theory of aesthetic creation and experience , Anubhava is the voluntary and involuntary ...
Here , Bhoja makes a remarkably brilliant suggestion and points out that diction should be regarded as an Anubhava.46 In Bharata's fundamental theory of aesthetic creation and experience , Anubhava is the voluntary and involuntary ...
Pagina 223
Pure being may be static , but in creation , being becomes rhythmic becoming . And the ultimate validity of this becoming , of experience , is aesthetic , for God becomes the universe for no conceivably utilitarian end and the becoming ...
Pure being may be static , but in creation , being becomes rhythmic becoming . And the ultimate validity of this becoming , of experience , is aesthetic , for God becomes the universe for no conceivably utilitarian end and the becoming ...
Pagina 371
He continuously inspires the creation to the most auspicious functional realisation of its own nature ( Dharmanushthana ) and thus orients it spirit - ward . " 201 But inspiration is not compulsion and if man is to rise to Satvic ...
He continuously inspires the creation to the most auspicious functional realisation of its own nature ( Dharmanushthana ) and thus orients it spirit - ward . " 201 But inspiration is not compulsion and if man is to rise to Satvic ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote