Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 111
... creation and experience , Anubhava is the voluntary and involuntary behaviour , both expressive of emotion , of the ... creation of the poetic spirit , not a mimetic form . This had better be clarified , as misunderstanding is likely ...
... creation and experience , Anubhava is the voluntary and involuntary behaviour , both expressive of emotion , of the ... creation of the poetic spirit , not a mimetic form . This had better be clarified , as misunderstanding is likely ...
Pagina 223
... creation , proceeds to create new realities , not being content with the forms finished and presented by nature . It is significant that Indian thought has developed this concept right from the beginning , from the period of the Vedas ...
... creation , proceeds to create new realities , not being content with the forms finished and presented by nature . It is significant that Indian thought has developed this concept right from the beginning , from the period of the Vedas ...
Pagina 371
... creation to the most auspicious functional realisation of its own nature ( Dharmanushthana ) and thus orients it spirit - ward . " 201 But inspiration is not compulsion and if man is to rise to Satvic perfection , it must be by his own ...
... creation to the most auspicious functional realisation of its own nature ( Dharmanushthana ) and thus orients it spirit - ward . " 201 But inspiration is not compulsion and if man is to rise to Satvic perfection , it must be by his own ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote