Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 49
THE CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
THE CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
Pagina 60
Bhoja , 28 in explaining his concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity .
Bhoja , 28 in explaining his concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity .
Pagina 200
Though the statement is brief , Yasovarman manages to indicate the two cardinal planes on which the concept can be elaborated . First of all , there is what can be called the justness of external congruences : dramatic speech should be ...
Though the statement is brief , Yasovarman manages to indicate the two cardinal planes on which the concept can be elaborated . First of all , there is what can be called the justness of external congruences : dramatic speech should be ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote