Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 49
... CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
... CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
Pagina 60
... concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity . Meaning , in poetic expression , cannot claim ...
... concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity . Meaning , in poetic expression , cannot claim ...
Pagina 200
... concept and stabilise it as an important literary principle . Subsequently , almost every important writer offers his treatment of the concept and Kshemendra11 attempts a very useful and systematic codification of all this material . A ...
... concept and stabilise it as an important literary principle . Subsequently , almost every important writer offers his treatment of the concept and Kshemendra11 attempts a very useful and systematic codification of all this material . A ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote