Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 69
Therefore , if they emphasised the quantum nature of the phenomenon and the delaying of the explosion of meaning till the expression was complete in its shape , they also dogmatised that the denotational meaning , thus finally revealed ...
Therefore , if they emphasised the quantum nature of the phenomenon and the delaying of the explosion of meaning till the expression was complete in its shape , they also dogmatised that the denotational meaning , thus finally revealed ...
Pagina 118
Kshemendra in the eleventh century , Hema Chandra in the twelfth and subsequent writers like Jayaratha , Visvanatha , Govinda and Kumaraswamin regard Ananda Vardhana as the author of the complete work , Karika as well as Vritti .
Kshemendra in the eleventh century , Hema Chandra in the twelfth and subsequent writers like Jayaratha , Visvanatha , Govinda and Kumaraswamin regard Ananda Vardhana as the author of the complete work , Karika as well as Vritti .
Pagina 278
The mono - acting of Sanskrit Bhanas prevented the actor from too complete an identification with his role , for the reason that the next moment he would be playing another role . In the Thullal of Kerala where there is only one ...
The mono - acting of Sanskrit Bhanas prevented the actor from too complete an identification with his role , for the reason that the next moment he would be playing another role . In the Thullal of Kerala where there is only one ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote